Iranian-American composer Darius Paymai on handwritten scores, cycles and stasis, Howard Skempton, and the “right material”
beyond genre
beyond genre

Iranian-American composer Darius Paymai on handwritten scores, cycles and stasis, Howard Skempton, and the “right material”
Québécois composer Patrick Giguère on long-term collaborations, “innovation music”, longform duration, spontaneity, and compositional DNA

Librettist Hannah Hayden discusses her upcoming opera, fairy tales, stoner comedy, the “action” of libretto, and her transition from songwriting to libretto