Newcastle-based composer, performer, and choral conductor Eleanor Cully Boehringer on choral music, new trails, interlocking processes, and listening inside the sound
beyond genre
beyond genre

Newcastle-based composer, performer, and choral conductor Eleanor Cully Boehringer on choral music, new trails, interlocking processes, and listening inside the sound

Glasgow-based composer Ollie Hawker explores the lines between classical and pop music, consonance and dissonance, and pleasant and interesting sounds

Mexican-born composer Luis Fernando Amaya on activism, accessible experimentation, and why we make music

UK-based South African composer Amy Crankshaw on sensoria, ritual, eco-emotions, and empathy for nature

Michigan-based composer Ty Bloomfield on worldbuilding, notation, programme notes, and creating vivid connections

Composer and bass-baritone David Balica on technology, vocal performance, postmodernism, politics, and “controlled chance”

Manchester-based composer and performer Carmel Smickersgill on grassroots spaces, the Beach Boys, and being yourself

London-based composer and guitarist Omri Kochavi on community gardens, jazz guitar, ancient text, and intuitive decision-making

Singaporean composer Yan Ee Toh on ritual, choreography, dichotomies, and working with non-Western instruments

Interdisciplinary composer Samuel D Loveless on referentiality, notation, accessibility, and daily life as art practice

Composer and bandleader Claire Cope on groove, emotional connections, becoming a mother, and “writing from the heart”

British composer Vivek Haria on breathing together, Jain spiritual traditions, qualia, recalibrating as a composer, and active listening

British composer Matthew Lee Knowles on John Cage, laborious processes, long durations, and translating text to music

Slovak composer Tímea Urban on performing together, creative crises, and empathetic approaches to composition

UK-based Iranian composer Ashkan Layegh on self-reflexivity, architecture, frames, and collective memory making

London-based Sri Lankan multimedia performance artist Ushara Dilrukshan on coding, organs, cultural identity, and womanhood

London-based composer Molly Frances Arnuk on braiding patterns, meditation, Helen Frankenthaler, and moments of subversion

Thai composer Thanakarn Schofield on transformation, layers of time, chess, censorship, and “sonic ritual”

Composer and performer Reuben Esterhuizen on movement, togetherness, ceramic artists, shedding the idea, and radical music-making

London-based composer and songwriter Kay Rowan on field recordings, folk clubs, breaking stylistic shackles, and the role of the artist