Singaporean composer Yan Ee Toh on ritual, choreography, dichotomies, and working with non-Western instruments
beyond genre
beyond genre

Singaporean composer Yan Ee Toh on ritual, choreography, dichotomies, and working with non-Western instruments

UK-based Iranian composer Ashkan Layegh on self-reflexivity, architecture, frames, and collective memory making

London-born composer Marisse Cato on identity, installations, Julius Eastman, and the “ontology of Blackness”

London-based contemporary ensemble standard issue on togetherness, interactive composition, and transcending performance boundaries