London Symphony Orchestra’s 2025-26 Soundhub composers discuss endangered languages, cybernetic instruments, intermediality, and the physicality of sound
beyond genre
beyond genre

London Symphony Orchestra’s 2025-26 Soundhub composers discuss endangered languages, cybernetic instruments, intermediality, and the physicality of sound

PRXLUDES’ first commissioned composer Millicent B James discusses The Legend of Zelda, folk traditions, the value of patience, and getting closer to nature

Berlin-based ensemble Kollektiv UNRUHE on collective composition, improvisation, arts funding, and finding common languages

PLASTIC BODIES creators discuss care, open score-making, and co-creation in new experimental opera tackling abuse in the industry

Composer Ellie Wilson and scientist Jenna Lawson on their most recent collaboration, biodiversity decline, emotional reactions, and translating data into music

Composers and librettists on Guildhall’s Opera Making course discuss collaborative process, play and experimentation, and creating relevant work

Musician and composer Nabihah Iqbal on her first classical commission for Manchester Collective, appreciating nature, SOPHIE, and representation in music

Experimental composer-performers Bastard Assignments prepare for two music theatre commissions exploring family, Dorset farmers, and haunted houses

Contemporary music group discuss their debut album, performing music at raves, TikTok, online spaces, and curating an experience

Nonclassical Artists in Residence Nneka Cummins and Beatrice Ferreira on approaches to voice, improvisation, pseudonyms, and big-picture strategies

Pianist and technologist Zubin Kanga discusses composer-performer collaborations, new technologies, brain sensors, and building shared knowledge

Pianist Rose McLachlan and composers Lucy Hackett and Charlotte Botterill on addressing classical music’s gender balance

Infinite Opera discuss their upcoming performance at London’s Signature Brew, mythologising beer, egalitarian collaboration, and performing in unconventional spaces

Librettist Hannah Hayden discusses her upcoming opera, fairy tales, stoner comedy, the “action” of libretto, and her transition from songwriting to libretto

Nonclassical founder Gabriel Prokofiev on curating classical club nights, audience engagement, remix culture, and London’s alternative classical scene

London-based contemporary ensemble standard issue on togetherness, interactive composition, and transcending performance boundaries

Contemporary music record label Sawyer Editions on creating an artistic ecosphere, DIY punk scenes, transparency, and cassette tape culture

National Youth Choir’s cohort of Young Composers speak about their album, Gen Z, modern madrigals, the physicality of choirs, and community

Irish composer Ailís Ní Ríain explores consent, sobriety, and deafness on her debut portrait disc ‘The Last Time I Died’

Irish contemporary music ensemble Kirkos prepare for their upcoming debut at Huddersfield Contemporary Music Festival