Composer Olivia Murphy writes on her debut orchestral album, discussing Greek myth, Little Women, and weaving threads of transformation
beyond genre
beyond genre

Composer Olivia Murphy writes on her debut orchestral album, discussing Greek myth, Little Women, and weaving threads of transformation

Guitarist and composer Zahrah Hutton writes on her latest album, train travel, voicenotes, Joni Mitchell and working with friends

Cellist and composer Alfian Emir Adytia’s latest album explores Dutch colonialism and resistance through heavy metal and keroncong

Manchester-based composer Simon Knighton writes on his debut album’s shared creative process, graphic scores, sampling, quantization, and pendulum waves

Contemporary music trio Terra Invisus’ debut album ‘Visions’, created in close collaboration with composers, explores improvisation and open notation

Composer and performance artist Phoebe Apfel’s debut EP explores disparate sampling, mental health, and writing for vocaloid software

Composer Luis Fernando Amaya’s album of instrumental and electronic duos explores environmentalism, insects, plants, and Latin American history

Spanish composer Victoria Benito writes about her debut album channeling the surreal, the mundane, the self-absorbed, and the vulnerability throughout each

Birmingham Record Company writes about their compilation highlighting composers Emily Abdy, Andy Ingamells, Ryan Latimer, Genevieve Murphy, and Corey Mwamba

Cellist Matt Phillips writes about his debut album exploring Liverpudlian identity, channeling druidic stones through improvisation and collaboration