British composer Alice Beckwith on psalms, Yorkshire-ness, female empowerment, and finding support as an artist
beyond genre
beyond genre

British composer Alice Beckwith on psalms, Yorkshire-ness, female empowerment, and finding support as an artist

London-based composer and sound artist Imogen Davey on collecting and transforming in electroacoustic and audiovisual practices

British composer and writer Leoni King on formative landscapes, the spectacle of wild spaces, storytelling as survival, and hauntings of memory

London-based composer and pianist Paloma León on queerness, cinema, classical and pop influence, and yearning for connection

Manchester Collective co-director Jasmin Kent Rodgman discusses commissioning, “casting” composers, drawing in audiences, and advice about authenticity

Interview with composer and organist Anian Wiedner on organs, overtones, transitional spaces, and “somewheres” in-between

Ukrainian composer and performer Sonia Lozina on starting from dramaturgy, storytelling, Ukrainian folklore, and bridges between generations

Composer Olivia Murphy writes on her debut orchestral album, discussing Greek myth, Little Women, and weaving threads of transformation

London Symphony Orchestra’s 2025-26 Soundhub composers discuss endangered languages, cybernetic instruments, intermediality, and the physicality of sound

Newcastle-based composer, performer, and choral conductor Eleanor Cully Boehringer on choral music, new trails, interlocking processes, and listening inside the sound

Glasgow-based composer Ollie Hawker explores the lines between classical and pop music, consonance and dissonance, and pleasant and interesting sounds

Mexican-born composer Luis Fernando Amaya on activism, accessible experimentation, and why we make music

UK-based South African composer Amy Crankshaw on sensoria, ritual, eco-emotions, and empathy for nature

Michigan-based composer Ty Bloomfield on worldbuilding, notation, programme notes, and creating vivid connections

Composer and bass-baritone David Balica on technology, vocal performance, postmodernism, politics, and “controlled chance”

Composer and cellist Toby Anderson writes on how an experimental music festival shifted his perspective as an artist

Manchester-based composer and performer Carmel Smickersgill on grassroots spaces, the Beach Boys, and being yourself

London-based composer and guitarist Omri Kochavi on community gardens, jazz guitar, ancient text, and intuitive decision-making

Singaporean composer Yan Ee Toh on ritual, choreography, dichotomies, and working with non-Western instruments

Interdisciplinary composer Samuel D Loveless on referentiality, notation, accessibility, and daily life as art practice