PRXLUDESβ second commissioned composer Rebecca Galian Castello discusses grooves, repetition, Michael Gordon, and close collaborative relationships
beyond genre
beyond genre

PRXLUDESβ second commissioned composer Rebecca Galian Castello discusses grooves, repetition, Michael Gordon, and close collaborative relationships

Manchester-based interdisciplinary artist and composer Vinthya Perinpanathan on combining stasis, movement, techno, and Sri Lankan rituals

Maltese composer Euchar Gravina on composition and curation, churches, vintage recordings, and brass bands in Malta

Composer and field recordist CJ Brooke on transcriptive processes, nature connectedness, fens, and Norfolk folklore

London-based composer and guitarist Saurabh Shivakumar on jazz roots, βin-between artistsβ, Morton Feldman, and the composer-performer balance

Scottish composer Lisa Robertson on Gaelic archival recordings, bird imitation, reclaiming eco-conscious values and community

Radio broadcaster and Loose Leaf Transmissions director Tyler Kline discusses accessibility, discovering artists, exchanges of ideas, and shifting perspectives

Artist and composer Otto Hashmi explores historical recontextualisation, dark ambient, Renaissance ricercate, and composer collaborations

Scottish composer and multidisciplinary artist Fergus Hall on the spectrum of improvisation, archival recordings, big bold feelings, and observing change

Brummie/Hungarian composer KΓ‘mea NΓ©meth on scrapbooks, Renaissance magic, paprika-based graphic notation, and compositional whimsy

The Hague-based composer Danya Pilchen on Wandelweiser, long-term collaborations, computer-controlled organs, and developing a listening practice

Composer and DJ Oliwia Radomska on sonically reflecting extreme sports, industrial techno, club aftercare, and human nature

Ben Lunn reflects on the financial realities of composition, the next steps beyond βemergingβ, and building a more equitable sector

British composer Alice Beckwith on psalms, Yorkshire-ness, female empowerment, and finding support as an artist

London-based composer and sound artist Imogen Davey on collecting and transforming in electroacoustic and audiovisual practices

British composer and writer Leoni King on formative landscapes, the spectacle of wild spaces, storytelling as survival, and hauntings of memory

London-based composer and pianist Paloma LeΓ³n on queerness, cinema, classical and pop influence, and yearning for connection

Manchester Collective co-director Jasmin Kent Rodgman discusses commissioning, “casting” composers, drawing in audiences, and advice about authenticity

Interview with composer and organist Anian Wiedner on organs, overtones, transitional spaces, and “somewheres” in-between

Ukrainian composer and performer Sonia Lozina on starting from dramaturgy, storytelling, Ukrainian folklore, and bridges between generations