Carla Ng
Hong Kong-born composer and theatre-maker Carla Ng on empathy, burnout, performer and audience agency, and being a dramaturgical “fixer”
Latest Articles
Carla Ng
Hong Kong-born composer and theatre-maker Carla Ng on empathy, burnout, performer and audience agency, and being a dramaturgical “fixer”
Claire Victoria Roberts
Welsh composer and jazz vocalist Claire Victoria Roberts on musical inconsistency, schmaltzy sound worlds, and moving to Barcelona
“Almost-songs”: a conversation with Avenue Azure
The latest project by members of Ensemble Klang channels organic collaboration and whispering intensity through stillness, surrealist art, and 90s Radiohead
“Building that connection”: a conversation with the Fidelio Trio
The Fidelio Trio give insights into the challenges faced in today’s contemporary music landscape, and impart career-building advice for emerging composers
Finbar Hosie
Franco-British composer Finbar Hosie on amplification, juxtaposition, sound gesture, and creating “driftwood music”
Un-Specialisation: a conversation with Ivan Vukosavljević and Ensemble Klang
Ivan Vukosavljević’s album ‘The Burning’ explores new approaches to ensemble writing, combining deconstructed guitars, shared vocabulary, and sacred drones
Lucy Armstrong
Composer Lucy Armstrong on Stephen Sondheim, capturing drama, and making text sing
Kevin Leomo
Scottish-Filipino composer Kevin Leomo on Wandelweiser, Glasgow’s experimental music scene, equitable collaboration, and radical creative practice
Robin Fiedler
Composer Robin Fiedler on unbalanced ensembles, sentimentalism, organic processes, and the “everyday alien”
Cortahojas: a different way of listening to Earth
Composer Luis Fernando Amaya’s album of instrumental and electronic duos explores environmentalism, insects, plants, and Latin American history
James M. Creed
Composer and guitarist James M. Creed on indeterminacy, études, clowning, James Tenney, and Alvin Lucier
Gillian Walker
Scottish composer Gillian Walker on modular composition, “total theatre”, and the aesthetics of performance
Zhenyan Li
Chinese composer Zhenyan Li on noh theatre, Beijing Opera, political humour, and writing “sarcastic” music
Veronika Reutz Drobnic
Croatian composer Veronika Reutz Drobnic on 3D notation, instrumental augmentation, Japanese folk traditions, and Jennifer Walshe
The vulnerability of understanding You Might Not Be As Good-Looking As You Think
Spanish composer Victoria Benito writes about her debut album channeling the surreal, the mundane, the self-absorbed, and the vulnerability throughout each
Anthony R. Green
Composer and performer Anthony R. Green on Stockhausen, social justice, boundaries of composition and performance, and promoting Black artists
Olivia Murphy
Composer and bandleader Olivia Murphy on organising a jazz orchestra, writing for voice, and accessibility of jazz composition
Fraz Ireland
Composer and conceptual artist Fraz Ireland on unconventional programme notes, the concert experience, notation as invitation, and MS Paint
Cameron Biles-Liddell
Welsh composer Cameron Biles-Liddell on staticity and momentum, timbre, Birtwistle, and writing “sparkly” music
Atefeh Einali
Iranian composer and santoor player Atefeh Einali on fusion, improvisation, incorporating traditions, and the interaction between Iranian and Western repertoire