UK-based South African composer Amy Crankshaw on sensoria, ritual, eco-emotions, and empathy for nature
beyond genre
beyond genre

UK-based South African composer Amy Crankshaw on sensoria, ritual, eco-emotions, and empathy for nature

Michigan-based composer Ty Bloomfield on worldbuilding, notation, programme notes, and creating vivid connections

Composer and bass-baritone David Balica on technology, vocal performance, postmodernism, politics, and “controlled chance”

Composer and cellist Toby Anderson writes on how an experimental music festival shifted his perspective as an artist

Manchester-based composer and performer Carmel Smickersgill on grassroots spaces, the Beach Boys, and being yourself

London-based composer and guitarist Omri Kochavi on community gardens, jazz guitar, ancient text, and intuitive decision-making

Singaporean composer Yan Ee Toh on ritual, choreography, dichotomies, and working with non-Western instruments

Interdisciplinary composer Samuel D Loveless on referentiality, notation, accessibility, and daily life as art practice

PRXLUDES’ first commissioned composer Millicent B James discusses The Legend of Zelda, folk traditions, the value of patience, and getting closer to nature

Composer and bandleader Claire Cope on groove, emotional connections, becoming a mother, and “writing from the heart”

British composer Vivek Haria on breathing together, Jain spiritual traditions, qualia, recalibrating as a composer, and active listening

Guitarist and composer Zahrah Hutton writes on her latest album, train travel, voicenotes, Joni Mitchell and working with friends

British composer Matthew Lee Knowles on John Cage, laborious processes, long durations, and translating text to music

Slovak composer Tímea Urban on performing together, creative crises, and empathetic approaches to composition

UK-based Iranian composer Ashkan Layegh on self-reflexivity, architecture, frames, and collective memory making

Amelia Clarkson writes on burnout, overworking, the reality of freelance life, and composing in hard times

London-based Sri Lankan multimedia performance artist Ushara Dilrukshan on coding, organs, cultural identity, and womanhood

London-based composer Molly Frances Arnuk on braiding patterns, meditation, Helen Frankenthaler, and moments of subversion

Thai composer Thanakarn Schofield on transformation, layers of time, chess, censorship, and “sonic ritual”

Berlin-based ensemble Kollektiv UNRUHE on collective composition, improvisation, arts funding, and finding common languages