London Symphony Orchestra’s 2025-26 Soundhub composers discuss endangered languages, cybernetic instruments, intermediality, and the physicality of sound
beyond genre
beyond genre

London Symphony Orchestra’s 2025-26 Soundhub composers discuss endangered languages, cybernetic instruments, intermediality, and the physicality of sound

Newcastle-based composer, performer, and choral conductor Eleanor Cully Boehringer on choral music, new trails, interlocking processes, and listening inside the sound

Glasgow-based composer Ollie Hawker explores the lines between classical and pop music, consonance and dissonance, and pleasant and interesting sounds

Mexican-born composer Luis Fernando Amaya on activism, accessible experimentation, and why we make music

UK-based South African composer Amy Crankshaw on sensoria, ritual, eco-emotions, and empathy for nature

Michigan-based composer Ty Bloomfield on worldbuilding, notation, programme notes, and creating vivid connections

Composer and bass-baritone David Balica on technology, vocal performance, postmodernism, politics, and “controlled chance”

Composer and cellist Toby Anderson writes on how an experimental music festival shifted his perspective as an artist

Manchester-based composer and performer Carmel Smickersgill on grassroots spaces, the Beach Boys, and being yourself

London-based composer and guitarist Omri Kochavi on community gardens, jazz guitar, ancient text, and intuitive decision-making

Singaporean composer Yan Ee Toh on ritual, choreography, dichotomies, and working with non-Western instruments

Interdisciplinary composer Samuel D Loveless on referentiality, notation, accessibility, and daily life as art practice

PRXLUDES’ first commissioned composer Millicent B James discusses The Legend of Zelda, folk traditions, the value of patience, and getting closer to nature

Composer and bandleader Claire Cope on groove, emotional connections, becoming a mother, and “writing from the heart”

British composer Vivek Haria on breathing together, Jain spiritual traditions, qualia, recalibrating as a composer, and active listening

Guitarist and composer Zahrah Hutton writes on her latest album, train travel, voicenotes, Joni Mitchell and working with friends

British composer Matthew Lee Knowles on John Cage, laborious processes, long durations, and translating text to music

Slovak composer Tímea Urban on performing together, creative crises, and empathetic approaches to composition

UK-based Iranian composer Ashkan Layegh on self-reflexivity, architecture, frames, and collective memory making

Amelia Clarkson writes on burnout, overworking, the reality of freelance life, and composing in hard times