PRXLUDES’ first commissioned composer Millicent B James discusses The Legend of Zelda, folk traditions, the value of patience, and getting closer to nature
beyond genre
beyond genre

PRXLUDES’ first commissioned composer Millicent B James discusses The Legend of Zelda, folk traditions, the value of patience, and getting closer to nature

Composer and bandleader Claire Cope on groove, emotional connections, becoming a mother, and “writing from the heart”

British composer Vivek Haria on breathing together, Jain spiritual traditions, qualia, recalibrating as a composer, and active listening

Guitarist and composer Zahrah Hutton writes on her latest album, train travel, voicenotes, Joni Mitchell and working with friends

British composer Matthew Lee Knowles on John Cage, laborious processes, long durations, and translating text to music

Slovak composer Tímea Urban on performing together, creative crises, and empathetic approaches to composition

UK-based Iranian composer Ashkan Layegh on self-reflexivity, architecture, frames, and collective memory making

Amelia Clarkson writes on burnout, overworking, the reality of freelance life, and composing in hard times

London-based Sri Lankan multimedia performance artist Ushara Dilrukshan on coding, organs, cultural identity, and womanhood

London-based composer Molly Frances Arnuk on braiding patterns, meditation, Helen Frankenthaler, and moments of subversion

Thai composer Thanakarn Schofield on transformation, layers of time, chess, censorship, and “sonic ritual”

Berlin-based ensemble Kollektiv UNRUHE on collective composition, improvisation, arts funding, and finding common languages

Composer and performer Reuben Esterhuizen on movement, togetherness, ceramic artists, shedding the idea, and radical music-making

London-based composer and songwriter Kay Rowan on field recordings, folk clubs, breaking stylistic shackles, and the role of the artist

Leeds-born multimedia artist Jim Osman on opera directing, dub, speculative fiction, digital folklore, and gothic futurism

PLASTIC BODIES creators discuss care, open score-making, and co-creation in new experimental opera tackling abuse in the industry

Manchester-based composer Gloria Xia on narrative, ritual, accessibility, and autobiographical experiences in composition

Composer and conductor Luka Venter on ecological writing, clarity and rigour, visceral entanglement, and journeys in collaboration

Filipino-Thai composer Maile Pacumio on cross-cultural collaboration, synesthesia, burnout, and music as a universal language

Composer Ellie Wilson and scientist Jenna Lawson on their most recent collaboration, biodiversity decline, emotional reactions, and translating data into music