
Carla Ng
Hong Kong-born composer and theatre-maker Carla Ng on empathy, burnout, performer and audience agency, and being a dramaturgical “fixer”
beyond genre
beyond genre
Hong Kong-born composer and theatre-maker Carla Ng on empathy, burnout, performer and audience agency, and being a dramaturgical “fixer”
Welsh composer and jazz vocalist Claire Victoria Roberts on musical inconsistency, schmaltzy sound worlds, and moving to Barcelona
Hong Kong-born composer and theatre-maker Carla Ng on empathy, burnout, performer and audience agency, and being a dramaturgical “fixer”
Welsh composer and jazz vocalist Claire Victoria Roberts on musical inconsistency, schmaltzy sound worlds, and moving to Barcelona
Composer Luis Fernando Amaya’s album of instrumental and electronic duos explores environmentalism, insects, plants, and Latin American history
Spanish composer Victoria Benito writes about her debut album channeling the surreal, the mundane, the self-absorbed, and the vulnerability throughout each
Australian composer Andrew Chen on anthropomorphosis, synthrumentation, self-promotion, and improvisation as compositional process
Greek composer and pianist Roxani Chatzidimitriou on dance, Greek poetry, self-motivation, and finding complexity in simplicity
London-based electronic artist Tom Baker on musical purpose, compositional stimuli, and curating artistic communities
British-Japanese composer Ben Nobuto on the hysterical sublime, accelerationism, postmodern hyperspace, and the “human 2.0”
Composer-performer Emily Hazrati on breath, heritage, performance as ritual, and collaboration as dialogue
Birmingham Record Company writes about their compilation highlighting composers Emily Abdy, Andy Ingamells, Ryan Latimer, Genevieve Murphy, and Corey Mwamba
Composer-performer Francesca Fargion on predictive text, failure as an aesthetic, and creating imaginary worlds
British composer Alex Tay on psychoacoustic illusions, musical quotations, and “manic” compositional process
Composer and sound artist Jasmine Morris on viking instrumentation, butoh dance, and creating sound paintings
Cellist Matt Phillips writes about his debut album exploring Liverpudlian identity, channeling druidic stones through improvisation and collaboration
Multimedia artist Sonia Killmann on audiovisual composition, interdisciplinary collaborations, and working in Ukraine
LA-based composer Jeremy Rosenstock on sonority of abalone shells, postmodernism, and duration as the language of nature
Architect and composer Emma-Kate Matthews on “spatio-sonic” research, binaural microphones, and constructing sound and space
Hungarian-American composer Ábel M.G.E. on farcical opera, musical quotation, cosmic nihilism, and the blending of genre
British composer Robert Crehan on setting text, institutional diversity, Steve McQueen, and the rhetoric of gesture
British-Australian choreographer Tanna Chamberlain on reality TV, non-dance, escape rooms, and inspiration from the everyday
Jazz pianist Steve Tromans on Derek Bailey, improv night Fizzle, and the musical-philosophical
Scottish composer Aileen Sweeney on new tonalism, Celtic folk influences, and her podcast Ear to the Ground
French composer and bandleader Mathis Saunier on Jonny Greenwood, Alexander Schubert, Black Mirror, and hands-on compositional process
Serbian composer Sara Stevanovic on memory, connect-the-dots notation, Slavoj Zizek, and sci-fi opera