Germany-based Chinese composer and artist Minzuo Lu on beauty, calligraphy, fleeting moments, and Wolfgang Rihm
beyond genre
beyond genre

Germany-based Chinese composer and artist Minzuo Lu on beauty, calligraphy, fleeting moments, and Wolfgang Rihm

London-based composer Laila Arafah on Sibelius MIDI, repeat performances, chat bots, and unexpected combinations in texture

California-born composer Luke Mombrea on Berlin techno, microtonality, body horror, and balancing a career in concert and film music

UK-based Greek composer Phoenix Rousiamanis on queer Greek mythology, witchcraft, discovering material, and balancing creative practices

Lebanese composer Sami Seif on collaboration, Middle Eastern poetry, duration in language, and the experience of musical time

Welsh composer and sound artist Tayla-Leigh Payne on electronic music, dance, animation, landscapes, and continuously learning

Contemporary music group discuss their debut album, performing music at raves, TikTok, online spaces, and curating an experience

UK-based Portuguese composer Jorge Ramos on technology-assisted orchestration, deconstructing sound, and rethinking tradition

Nonclassical Artists in Residence Nneka Cummins and Beatrice Ferreira on approaches to voice, improvisation, pseudonyms, and big-picture strategies

London-based composer Blasio Kavuma on Afro-diasporic traditions, cyclical time frameworks, signifying, and cultural associations

American composer Lily Koslow on noise, energetic forms, political agitation, Marxism, and creating alternate universes

British composer and electronic artist Sam Rudd-Jones on sonata form, comfort zones, music-as-itself, and pushing against genre expectations

Chinese-American composer Sofia Jen Ouyang on working with text, positionality, dialectics, and the “impossibility of translation”

Pianist Rose McLachlan and composers Lucy Hackett and Charlotte Botterill on addressing classical music’s gender balance

British composer and singer Anna Semple on writing for choir, aleatoric scoring, feminist music theory, and embracing physicality

Composer William Gardner on musical uncanniness, microtonality, metamodernism, and composing political opera

London-based French composer Rebecca Galian Castello on working with noise, distortion techniques, folk traditions, and DIY ethics

Infinite Opera discuss their upcoming performance at London’s Signature Brew, mythologising beer, egalitarian collaboration, and performing in unconventional spaces

Iranian-American composer Darius Paymai on handwritten scores, cycles and stasis, Howard Skempton, and the “right material”

Librettist Hannah Hayden discusses her upcoming opera, fairy tales, stoner comedy, the “action” of libretto, and her transition from songwriting to libretto