PRXLUDES’ first commissioned composer Millicent B James discusses The Legend of Zelda, folk traditions, the value of patience, and getting closer to nature
beyond genre
beyond genre

PRXLUDES’ first commissioned composer Millicent B James discusses The Legend of Zelda, folk traditions, the value of patience, and getting closer to nature

British composer Matthew Lee Knowles on John Cage, laborious processes, long durations, and translating text to music

London-based composer and songwriter Kay Rowan on field recordings, folk clubs, breaking stylistic shackles, and the role of the artist

Manchester-based composer Gloria Xia on narrative, ritual, accessibility, and autobiographical experiences in composition

Amsterdam-based composer Boris Bezemer on cinematic surround sound, player pianos, building a practice, and composition as performance

Manchester-based composer and sound artist Joy Ingle on field recordings, digital processes, acousmatic storytelling, and Hildegard von Bingen

British composer Chloe Knibbs on residencies, freewriting, musical pragmatism, and finding supportive communities

British-German composer Eden Lonsdale on working with limitations, subtle implications, James Tenney and Alvin Lucier, and “forms within forms”

British composer Hugo Bell on heartbeats as musical time, DMX lighting, learning new skills, reworking pieces, and being “wired differently”

Experimental composer-performers Bastard Assignments prepare for two music theatre commissions exploring family, Dorset farmers, and haunted houses

Composer Emily Pedersen on storytelling, Darmstadt, tackling abuse through opera, and approaching composition through empathy

American composer Anna-Louise Walton on defamiliarisation, writing for voice, PVC pipes, found objects, and complexities of intuition

British composer Joanna Ward on graphic notation, field recordings, “bean” pieces, composing for friends, and financial inequality in classical music

Pianist and technologist Zubin Kanga discusses composer-performer collaborations, new technologies, brain sensors, and building shared knowledge

British composer Robert Nettleship on Sibelius MIDI, scratch lyrics, and enjoying the process

Birmingham-based composer Bobbie-Jane Gardner on community-building through music, DJing, visual artists, and arranging for Netflix

British composer and curator Alex Groves on sculptures, hyperpop, artist-led curation, and embracing change
Québécois composer Patrick Giguère on long-term collaborations, “innovation music”, longform duration, spontaneity, and compositional DNA

Leeds-based composer and improviser Mia Windsor on spectralism, pipe organs, experimental music spaces, and embracing glitches

Dutch multimedia composer Celia Swart on illustration software, resonant doors, Dutch architecture, and self-exploration