Composer and performer Reuben Esterhuizen on movement, togetherness, ceramic artists, shedding the idea, and radical music-making
Kay Rowan
London-based composer and songwriter Kay Rowan on field recordings, folk clubs, breaking stylistic shackles, and the role of the artist
Tayla-Leigh Payne
Welsh composer and sound artist Tayla-Leigh Payne on electronic music, dance, animation, landscapes, and continuously learning
Blasio Kavuma
London-based composer Blasio Kavuma on Afro-diasporic traditions, cyclical time frameworks, signifying, and cultural associations
Lara Agar
British composer Lara Agar on indeterminacy, sonic warping, channeling imperfection, and the closure of IKLECTIK
Gillian Walker
Scottish composer Gillian Walker on modular composition, “total theatre”, and the aesthetics of performance
Roxani Chatzidimitriou
Greek composer and pianist Roxani Chatzidimitriou on dance, Greek poetry, self-motivation, and finding complexity in simplicity
Francesca Fargion
Composer-performer Francesca Fargion on predictive text, failure as an aesthetic, and creating imaginary worlds
Jasmine Morris
Composer and sound artist Jasmine Morris on viking instrumentation, butoh dance, and creating sound paintings
Ábel Misha Gille Esbenshade
Hungarian-American composer Ábel M.G.E. on farcical opera, musical quotation, cosmic nihilism, and the blending of genre
Tanna Chamberlain
British-Australian choreographer Tanna Chamberlain on reality TV, non-dance, escape rooms, and inspiration from the everyday
Amelia Clarkson
Northern Irish composer Amelia Clarkson on elastic collaboration, portfolio careers, and working to dramatic stimuli
Michele Deiana
Italian composer Michele Deiana on audiovisual immersion, horizontal collaborative hierarchy, and “being” the music