Japanese-Welsh composer Delyth Field on musical language combining “brostep”, Yayoi Kusama, vocaloid, shoegaze, and online communities
beyond genre
beyond genre

Japanese-Welsh composer Delyth Field on musical language combining “brostep”, Yayoi Kusama, vocaloid, shoegaze, and online communities

Croatian composer Veronika Reutz Drobnic on 3D notation, instrumental augmentation, Japanese folk traditions, and Jennifer Walshe

British-Japanese composer Ben Nobuto on the hysterical sublime, accelerationism, postmodern hyperspace, and the “human 2.0”

Composer and sound artist Jasmine Morris on viking instrumentation, butoh dance, and creating sound paintings