Composer and conductor Luka Venter on ecological writing, clarity and rigour, visceral entanglement, and journeys in collaboration
beyond genre
beyond genre

Composer and conductor Luka Venter on ecological writing, clarity and rigour, visceral entanglement, and journeys in collaboration

Filipino-Thai composer Maile Pacumio on cross-cultural collaboration, synesthesia, burnout, and music as a universal language

Amsterdam-based composer Boris Bezemer on cinematic surround sound, player pianos, building a practice, and composition as performance

Welsh-Australian composer Niamh J O’Donnell on environmental storytelling, childhood nostalgia, feminine rage, and performance as a feeling

Turkish-British composer Elif Karlıdağ on mass hysteria, 80s video games, absurdism, and working with graphic notation

UK-based composer Ryan Morgan on immediacy, transparency, passive resistance, and leading with compassion

Manchester-based composer and sound artist Joy Ingle on field recordings, digital processes, acousmatic storytelling, and Hildegard von Bingen

London-based Chilean composer Anibal Vidal on handheld instruments, tension and release, play, and composition as “intuitive abstract sudoku”

British composer Chloe Knibbs on residencies, freewriting, musical pragmatism, and finding supportive communities

British composer Angela Slater on mapping natural processes, orchestration, Brian Cox, Scottish folklore, and nurturing personal canons

British-German composer Eden Lonsdale on working with limitations, subtle implications, James Tenney and Alvin Lucier, and “forms within forms”

Japanese-Welsh composer Delyth Field on musical language combining “brostep”, Yayoi Kusama, vocaloid, shoegaze, and online communities

British composer Hugo Bell on heartbeats as musical time, DMX lighting, learning new skills, reworking pieces, and being “wired differently”

Germany-based Chinese composer and artist Minzuo Lu on beauty, calligraphy, fleeting moments, and Wolfgang Rihm

New York-based composer and performer Arjan Singh Dogra on temporality, oneness, Hindustani traditions, and “first person” music

London-based composer Laila Arafah on Sibelius MIDI, repeat performances, chat bots, and unexpected combinations in texture

California-born composer Luke Mombrea on Berlin techno, microtonality, body horror, and balancing a career in concert and film music

Composer Emily Pedersen on storytelling, Darmstadt, tackling abuse through opera, and approaching composition through empathy

UK-based Greek composer Phoenix Rousiamanis on queer Greek mythology, witchcraft, discovering material, and balancing creative practices

Lebanese composer Sami Seif on collaboration, Middle Eastern poetry, duration in language, and the experience of musical time