American composer Lily Koslow on noise, energetic forms, political agitation, Marxism, and creating alternate universes
beyond genre
beyond genre

American composer Lily Koslow on noise, energetic forms, political agitation, Marxism, and creating alternate universes

British composer and electronic artist Sam Rudd-Jones on sonata form, comfort zones, music-as-itself, and pushing against genre expectations

Chinese-American composer Sofia Jen Ouyang on working with text, positionality, dialectics, and the “impossibility of translation”

British composer Robert Nettleship on Sibelius MIDI, scratch lyrics, and enjoying the process

British composer and singer Anna Semple on writing for choir, aleatoric scoring, feminist music theory, and embracing physicality

Birmingham-based composer Bobbie-Jane Gardner on community-building through music, DJing, visual artists, and arranging for Netflix

Composer William Gardner on musical uncanniness, microtonality, metamodernism, and composing political opera

British composer and curator Alex Groves on sculptures, hyperpop, artist-led curation, and embracing change

London-based French composer Rebecca Galian Castello on working with noise, distortion techniques, folk traditions, and DIY ethics

Iranian-American composer Darius Paymai on handwritten scores, cycles and stasis, Howard Skempton, and the “right material”
Québécois composer Patrick Giguère on long-term collaborations, “innovation music”, longform duration, spontaneity, and compositional DNA

Leeds-based composer and improviser Mia Windsor on spectralism, pipe organs, experimental music spaces, and embracing glitches

Manchester-based composer Zakiya Leeming on collaborating with scientists, AI in composition, centring human stories, and “thinking through music”

Welsh composer Sam Buttler on mythology, fairies, Pierrot Lunaire, country music, and not taking yourself too seriously

Dutch multimedia composer Celia Swart on illustration software, resonant doors, Dutch architecture, and self-exploration

UK-based Cypriot composer Crystalla Serghiou on “popera”, pastiche, Stepford wives, and staying authentic

Hong Kong-based composer and songwriter Esther Wu on installations, societal intimacy, stage presence, and Jean-Paul Sartre

Composer and accordionist Ben Richter on time dilation, liminal pitch relationships, and altered states of consciousness

Birmingham-born composer Jamie Elless on graphic scores, alternate notations, queer liberation, and “honest music”

British composer Lara Agar on indeterminacy, sonic warping, channeling imperfection, and the closure of IKLECTIK