“If you’re gonna ask what my central ethos for everything I do is, it’s that: build a community, build a scene, get people involved and break down that barrier. You "can" do it.”
Tag: audiovisual
PRXLUDES | Ben Nobuto
"The ‘hysterical sublime’ … As soon as I read that, I knew [it] summed up exactly the world I wanted to create. This collapsing of the sublime and the ridiculous to the point where they’re indistinguishable."
PRXLUDES | Sonia Killmann
“That’s why it’s called audiovisual music: because it’s not really one over the other, but they both complement each other, and are [as] equally important as each other.”
PRXLUDES | Emma-Kate Matthews
“It’s not like making a piece of work in a space where the space is just a container for the performance. The two worlds are completely linked — physically, conceptually, and in every other way. So sometimes I’m thinking like an architect and sometimes like a composer, and of course all the bits in between.”
PRXLUDES | Darlene Zarabozo
“That’s what it feels like when I’m working with electronics — I feel like I’m creating a moment, a live moment for someone to listen to.”
PRXLUDES | Jimena Maldonado
“You see a colour, you see an image, and that is gonna have an impact on how you play a piece, especially if you have some freedom on how to do it. But you, as a player, need to be open to that.”
PRXLUDES | Victoria Benito
“I really like absurdity — the space between trying to put a meaning into everything you do, and the fact of knowing that you can’t find meaning for everything.”
PRXLUDES | May Chi
"It’s more about catharsis… kind of like a release. You can listen to the album just for the vibes, and be like “I like how this sounds, I like how hard this track goes”, but if you wanted to pay attention to my lyrics and experience the things I’ve been through with me, you can."
PRXLUDES | Michele Deiana
"I don’t conceive composition as a sonic process. For me it’s something that has to do with visuals, with words, with movements… with everything."
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