Franco-British composer Finbar Hosie on amplification, juxtaposition, sound gesture, and creating “driftwood music”

beyond genre
beyond genre
Franco-British composer Finbar Hosie on amplification, juxtaposition, sound gesture, and creating “driftwood music”
Spanish composer Victoria Benito writes about her debut album channeling the surreal, the mundane, the self-absorbed, and the vulnerability throughout each
Composer and conceptual artist Fraz Ireland on unconventional programme notes, the concert experience, notation as invitation, and MS Paint
London-based electronic artist Tom Baker on musical purpose, compositional stimuli, and curating artistic communities
British-Japanese composer Ben Nobuto on the hysterical sublime, accelerationism, postmodern hyperspace, and the “human 2.0”
Multimedia artist Sonia Killmann on audiovisual composition, interdisciplinary collaborations, and working in Ukraine
Architect and composer Emma-Kate Matthews on “spatio-sonic” research, binaural microphones, and constructing sound and space
Cuban-American composer Darlene Zarabozo on dramatism, double meanings, the physicality of electronics, and dealing with trauma
Mexican composer-photographer Jimena Maldonado on choreography, visual frames of reference, and inspiration from travelling
Spanish composer Victoria Benito on absurdity, meaningless music, and Birmingham’s ‘DIY-classical’ scene
Hong Kong composer and songwriter May Chi on channeling melancholia, dissociation, and ambient music processes
Italian composer Michele Deiana on audiovisual immersion, horizontal collaborative hierarchy, and “being” the music