British composer Anna Disley-Simpson on opera, stylised reality, collage notation, and crafting vocal resonance

beyond genre
beyond genre
British composer Anna Disley-Simpson on opera, stylised reality, collage notation, and crafting vocal resonance
Composer Lucy Armstrong on Stephen Sondheim, capturing drama, and making text sing
Composer Robin Fiedler on unbalanced ensembles, sentimentalism, organic processes, and the “everyday alien”
Composer-performer Emily Hazrati on breath, heritage, performance as ritual, and collaboration as dialogue