Newcastle-based composer, performer, and choral conductor Eleanor Cully Boehringer on choral music, new trails, interlocking processes, and listening inside the sound
beyond genre
beyond genre

Newcastle-based composer, performer, and choral conductor Eleanor Cully Boehringer on choral music, new trails, interlocking processes, and listening inside the sound

London-based composer and guitarist Omri Kochavi on community gardens, jazz guitar, ancient text, and intuitive decision-making

Singaporean composer Yan Ee Toh on ritual, choreography, dichotomies, and working with non-Western instruments

PRXLUDES’ first commissioned composer Millicent B James discusses The Legend of Zelda, folk traditions, the value of patience, and getting closer to nature

British composer Vivek Haria on breathing together, Jain spiritual traditions, qualia, recalibrating as a composer, and active listening

UK-based composer Ryan Morgan on immediacy, transparency, passive resistance, and leading with compassion

London-based Chilean composer Anibal Vidal on handheld instruments, tension and release, play, and composition as “intuitive abstract sudoku”

British composer Hugo Bell on heartbeats as musical time, DMX lighting, learning new skills, reworking pieces, and being “wired differently”

Composer Emily Pedersen on storytelling, Darmstadt, tackling abuse through opera, and approaching composition through empathy

American composer Anna-Louise Walton on defamiliarisation, writing for voice, PVC pipes, found objects, and complexities of intuition

London-born composer Marisse Cato on identity, installations, Julius Eastman, and the “ontology of Blackness”

British composer and singer Anna Semple on writing for choir, aleatoric scoring, feminist music theory, and embracing physicality

Welsh composer Sam Buttler on mythology, fairies, Pierrot Lunaire, country music, and not taking yourself too seriously

National Youth Choir’s cohort of Young Composers speak about their album, Gen Z, modern madrigals, the physicality of choirs, and community

British composer Anna Disley-Simpson on opera, stylised reality, collage notation, and crafting vocal resonance

Composer Lucy Armstrong on Stephen Sondheim, capturing drama, and making text sing

Composer Robin Fiedler on unbalanced ensembles, sentimentalism, organic processes, and the “everyday alien”

Composer-performer Emily Hazrati on breath, heritage, performance as ritual, and collaboration as dialogue