LA-based composer Jack Herscowitz on rational intonation, subjectivities and ownership, and “anti-innovation”

beyond genre
beyond genre
LA-based composer Jack Herscowitz on rational intonation, subjectivities and ownership, and “anti-innovation”
Mixed-ability contemporary music ensemble CoMA reflects on its inaugural composers-in-residence programme, featuring composers Megan Steinberg and Paul Evernden
Boston/NYC-based composer Victoria Cheah on sine tones, repetition, intimacy, and body language in music
South African composer Lise Morrison on debut album ‘No grief without joy’, nonlinear development, “super-instruments”, and quoting David Bowie
Composer Kian Ravaei on heritage, tradition, and creating musical mosaics channeling Bach chorales, Iranian classical music, and EDM production
The latest project by members of Ensemble Klang channels organic collaboration and whispering intensity through stillness, surrealist art, and 90s Radiohead
Franco-British composer Finbar Hosie on amplification, juxtaposition, sound gesture, and creating “driftwood music”
Scottish-Filipino composer Kevin Leomo on Wandelweiser, Glasgow’s experimental music scene, equitable collaboration, and radical creative practice
Composer Luis Fernando Amaya’s album of instrumental and electronic duos explores environmentalism, insects, plants, and Latin American history
Croatian composer Veronika Reutz Drobnic on 3D notation, instrumental augmentation, Japanese folk traditions, and Jennifer Walshe
Spanish composer Victoria Benito writes about her debut album channeling the surreal, the mundane, the self-absorbed, and the vulnerability throughout each
London-based electronic artist Tom Baker on musical purpose, compositional stimuli, and curating artistic communities
British-Japanese composer Ben Nobuto on the hysterical sublime, accelerationism, postmodern hyperspace, and the “human 2.0”
Composer-performer Francesca Fargion on predictive text, failure as an aesthetic, and creating imaginary worlds
Composer and sound artist Jasmine Morris on viking instrumentation, butoh dance, and creating sound paintings
Multimedia artist Sonia Killmann on audiovisual composition, interdisciplinary collaborations, and working in Ukraine
LA-based composer Jeremy Rosenstock on sonority of abalone shells, postmodernism, and duration as the language of nature
Architect and composer Emma-Kate Matthews on “spatio-sonic” research, binaural microphones, and constructing sound and space
Composer and improviser Holly Gowland on electroacoustic processes, tram harmonics, and Mancunian identity
Cuban-American composer Darlene Zarabozo on dramatism, double meanings, the physicality of electronics, and dealing with trauma