Manchester Collective co-director Jasmin Kent Rodgman discusses commissioning, “casting” composers, drawing in audiences, and advice about authenticity
beyond genre
beyond genre

Manchester Collective co-director Jasmin Kent Rodgman discusses commissioning, “casting” composers, drawing in audiences, and advice about authenticity

London Symphony Orchestra’s 2025-26 Soundhub composers discuss endangered languages, cybernetic instruments, intermediality, and the physicality of sound

Glasgow-based composer Ollie Hawker explores the lines between classical and pop music, consonance and dissonance, and pleasant and interesting sounds

Mexican-born composer Luis Fernando Amaya on activism, accessible experimentation, and why we make music

Michigan-based composer Ty Bloomfield on worldbuilding, notation, programme notes, and creating vivid connections

Composer and bass-baritone David Balica on technology, vocal performance, postmodernism, politics, and “controlled chance”

Composer and cellist Toby Anderson writes on how an experimental music festival shifted his perspective as an artist

Manchester-based composer and performer Carmel Smickersgill on grassroots spaces, the Beach Boys, and being yourself

Interdisciplinary composer Samuel D Loveless on referentiality, notation, accessibility, and daily life as art practice

Guitarist and composer Zahrah Hutton writes on her latest album, train travel, voicenotes, Joni Mitchell and working with friends

Slovak composer Tímea Urban on performing together, creative crises, and empathetic approaches to composition

London-based Sri Lankan multimedia performance artist Ushara Dilrukshan on coding, organs, cultural identity, and womanhood

London-based composer Molly Frances Arnuk on braiding patterns, meditation, Helen Frankenthaler, and moments of subversion

Berlin-based ensemble Kollektiv UNRUHE on collective composition, improvisation, arts funding, and finding common languages

Leeds-born multimedia artist Jim Osman on opera directing, dub, speculative fiction, digital folklore, and gothic futurism

Manchester-based composer Gloria Xia on narrative, ritual, accessibility, and autobiographical experiences in composition

Composer Ellie Wilson and scientist Jenna Lawson on their most recent collaboration, biodiversity decline, emotional reactions, and translating data into music

Amsterdam-based composer Boris Bezemer on cinematic surround sound, player pianos, building a practice, and composition as performance

Welsh-Australian composer Niamh J O’Donnell on environmental storytelling, childhood nostalgia, feminine rage, and performance as a feeling

Turkish-British composer Elif Karlıdağ on mass hysteria, 80s video games, absurdism, and working with graphic notation