Composer-performer Francesca Fargion on predictive text, failure as an aesthetic, and creating imaginary worlds
beyond genre
beyond genre

Composer-performer Francesca Fargion on predictive text, failure as an aesthetic, and creating imaginary worlds

Composer and sound artist Jasmine Morris on viking instrumentation, butoh dance, and creating sound paintings

Multimedia artist Sonia Killmann on audiovisual composition, interdisciplinary collaborations, and working in Ukraine

LA-based composer Jeremy Rosenstock on sonority of abalone shells, postmodernism, and duration as the language of nature

Architect and composer Emma-Kate Matthews on “spatio-sonic” research, binaural microphones, and constructing sound and space

Composer and improviser Holly Gowland on electroacoustic processes, tram harmonics, and Mancunian identity

Cuban-American composer Darlene Zarabozo on dramatism, double meanings, the physicality of electronics, and dealing with trauma

Saxophonist and composer Lara Jones on J Frisco, geodesic domes, and her relationship to the saxophone

Hong Kong composer and songwriter May Chi on channeling melancholia, dissociation, and ambient music processes

British-Canadian songwriter Rosie Cochrane on octopi, psychopaths, hedonism, and microtonal singing