Composer and bass-baritone David Balica on technology, vocal performance, postmodernism, politics, and “controlled chance”
beyond genre
beyond genre

Composer and bass-baritone David Balica on technology, vocal performance, postmodernism, politics, and “controlled chance”

Berlin-based ensemble Kollektiv UNRUHE on collective composition, improvisation, arts funding, and finding common languages

Experimental composer-performers Bastard Assignments prepare for two music theatre commissions exploring family, Dorset farmers, and haunted houses

Contemporary music group discuss their debut album, performing music at raves, TikTok, online spaces, and curating an experience

Contemporary music trio Terra Invisus’ debut album ‘Visions’, created in close collaboration with composers, explores improvisation and open notation

London-based contemporary ensemble standard issue on togetherness, interactive composition, and transcending performance boundaries

Irish contemporary music ensemble Kirkos prepare for their upcoming debut at Huddersfield Contemporary Music Festival

Mixed-ability contemporary music ensemble CoMA reflects on its inaugural composers-in-residence programme, featuring composers Megan Steinberg and Paul Evernden

String quartet Vulva Voce talk about celebrating music by women from across the centuries, groove, and playing with expectation

The latest project by members of Ensemble Klang channels organic collaboration and whispering intensity through stillness, surrealist art, and 90s Radiohead

The Fidelio Trio give insights into the challenges faced in today’s contemporary music landscape, and impart career-building advice for emerging composers

Ivan Vukosavljević’s album ‘The Burning’ explores new approaches to ensemble writing, combining deconstructed guitars, shared vocabulary, and sacred drones