“My musical inspiration always comes from the essential principle of Eastern philosophy, that is: everything is flowing, interconnected, dependent on each other.” Continue reading PRXLUDES | Sun Keting

“I really like to explore different sonorities — different sounds that can be used with electronics and acoustic instruments — trying to get some form of middle ground between the two.” Continue reading PRXLUDES | Holly Gowland

“That’s what it feels like when I’m working with electronics — I feel like I’m creating a moment, a live moment for someone to listen to.” Continue reading PRXLUDES | Darlene Zarabozo

“We should really look after the score, and the idea of the score, because it’s one of the only things that capitalism hasn’t taken away from us.” Continue reading PRXLUDES | Luke Deane

“I see [visuals] as very integrated into the piece, and the process. I feel like some people make visuals that you don’t need to have with pieces, but mine are very integrated — one doesn’t work without the other.” Continue reading PRXLUDES | Kat Wallace

“It was completely about ‘let’s play how we feel’, that’s what it was all about — communicating with each other, expressing our emotions to an audience — beyond that, it didn’t really matter what it sounded like.” Continue reading PRXLUDES | Lara Jones

“I’m just trying to make the most sonically sensuous, magic sound-stuff-thing that I can.” Continue reading PRXLUDES | Alex Paxton

“The way that I experience music is, in a way, very physical; it’s very often about impacts and certain touches.” Continue reading PRXLUDES | Pepijn Streng

“You see a colour, you see an image, and that is gonna have an impact on how you play a piece, especially if you have some freedom on how to do it. But you, as a player, need to be open to that.” Continue reading PRXLUDES | Jimena Maldonado

“I find there’s always lots of music drifting about in my head; like a big ball of yarn, with strings you can gently pull to see if they unravel.” Continue reading PRXLUDES | Rylan Gleave

“I came, genuinely, from just wanting to compose. I’ve had an orchestra playing through my head since I was nine, and I didn’t know how to notate it.” Continue reading PRXLUDES | Kirsten Strom

“Rather than “the system is the piece”, the system is creating something which then I may or may not feel free to change and adjust. It became more of a balance between the abstract and the process.” Continue reading PRXLUDES | Patrick Ellis

“It’s the interaction between what I’ve created and what that performer is gonna create that I thrive off.” Continue reading PRXLUDES | Catherine Mole

“Whenever you write something, whenever you make something, you’re trying to discover a truth — “a” truth — whatever that is.” Continue reading PRXLUDES | Joshua Jones

“Improvising with nonclassical musicians definitely opened me up to the fact that you can use violin in almost any scenario, almost any genre.” Continue reading PRXLUDES | Anna Maria Olsson

“You need to suspend your disbelief just to accept that somebody’s singing on stage. Anything can be singing on stage; it could be a person called Tosca, or a positron.” Continue reading PRXLUDES | Daniel Blanco Albert

“I just didn’t wanna be sad all the time in my music, I just felt like it wasn’t helping me.” Continue reading PRXLUDES | Kern Parks