LA-based composer Jack Herscowitz on rational intonation, subjectivities and ownership, and “anti-innovation”

beyond genre
beyond genre
LA-based composer Jack Herscowitz on rational intonation, subjectivities and ownership, and “anti-innovation”
Irish contemporary music ensemble Kirkos prepare for their upcoming debut at Huddersfield Contemporary Music Festival
String quartet Vulva Voce talk about celebrating music by women from across the centuries, groove, and playing with expectation
British composer Marcus Rock on synesthesia, active listening, internal and external composition processes, and George Lewis
The latest project by members of Ensemble Klang channels organic collaboration and whispering intensity through stillness, surrealist art, and 90s Radiohead
Scottish-Filipino composer Kevin Leomo on Wandelweiser, Glasgow’s experimental music scene, equitable collaboration, and radical creative practice
Iranian composer and santoor player Atefeh Einali on fusion, improvisation, incorporating traditions, and the interaction between Iranian and Western repertoire
Birmingham Record Company writes about their compilation highlighting composers Emily Abdy, Andy Ingamells, Ryan Latimer, Genevieve Murphy, and Corey Mwamba
Cellist Matt Phillips writes about his debut album exploring Liverpudlian identity, channeling druidic stones through improvisation and collaboration
Jazz pianist Steve Tromans on Derek Bailey, improv night Fizzle, and the musical-philosophical
Composer and improviser Holly Gowland on electroacoustic processes, tram harmonics, and Mancunian identity
Saxophonist and composer Lara Jones on J Frisco, geodesic domes, and her relationship to the saxophone
British composer and trombonist Alex Paxton on play, Hieronymus Bosch, and celebrating childhood
Irish composer-performer James McIlwrath on “anti-comedy”, Neil Luck, and subverting the concert environment
Composer and improviser Si Paton on John Zorn, acoustic grindcore, and building grassroots music communities