Artist and composer Otto Hashmi explores historical recontextualisation, dark ambient, Renaissance ricercate, and composer collaborations
beyond genre
beyond genre

Artist and composer Otto Hashmi explores historical recontextualisation, dark ambient, Renaissance ricercate, and composer collaborations

Brummie/Hungarian composer Kámea Németh on scrapbooks, Renaissance magic, paprika-based graphic notation, and compositional whimsy

Composer and DJ Oliwia Radomska on sonically reflecting extreme sports, industrial techno, club aftercare, and human nature

London-based composer and sound artist Imogen Davey on collecting and transforming in electroacoustic and audiovisual practices

London-based composer and pianist Paloma León on queerness, cinema, classical and pop influence, and yearning for connection

Manchester Collective co-director Jasmin Kent Rodgman discusses commissioning, “casting” composers, drawing in audiences, and advice about authenticity

Ukrainian composer and performer Sonia Lozina on starting from dramaturgy, storytelling, Ukrainian folklore, and bridges between generations

London Symphony Orchestra’s 2025-26 Soundhub composers discuss endangered languages, cybernetic instruments, intermediality, and the physicality of sound

Newcastle-based composer, performer, and choral conductor Eleanor Cully Boehringer on choral music, new trails, interlocking processes, and listening inside the sound

Composer and bass-baritone David Balica on technology, vocal performance, postmodernism, politics, and “controlled chance”

Composer and cellist Toby Anderson writes on how an experimental music festival shifted his perspective as an artist

London-based composer and guitarist Omri Kochavi on community gardens, jazz guitar, ancient text, and intuitive decision-making

Interdisciplinary composer Samuel D Loveless on referentiality, notation, accessibility, and daily life as art practice

Slovak composer Tímea Urban on performing together, creative crises, and empathetic approaches to composition

London-based Sri Lankan multimedia performance artist Ushara Dilrukshan on coding, organs, cultural identity, and womanhood

Berlin-based ensemble Kollektiv UNRUHE on collective composition, improvisation, arts funding, and finding common languages

Composer and performer Reuben Esterhuizen on movement, togetherness, ceramic artists, shedding the idea, and radical music-making

Leeds-born multimedia artist Jim Osman on opera directing, dub, speculative fiction, digital folklore, and gothic futurism

Manchester-based composer Gloria Xia on narrative, ritual, accessibility, and autobiographical experiences in composition

Amsterdam-based composer Boris Bezemer on cinematic surround sound, player pianos, building a practice, and composition as performance