Turkish-British composer Elif Karlıdağ on mass hysteria, 80s video games, absurdism, and working with graphic notation
beyond genre
beyond genre

Turkish-British composer Elif Karlıdağ on mass hysteria, 80s video games, absurdism, and working with graphic notation

UK-based composer Ryan Morgan on immediacy, transparency, passive resistance, and leading with compassion

Eternal series director Sasha Elina writes on curation as a creative practice

British composer Hugo Bell on heartbeats as musical time, DMX lighting, learning new skills, reworking pieces, and being “wired differently”

Experimental composer-performers Bastard Assignments prepare for two music theatre commissions exploring family, Dorset farmers, and haunted houses

California-born composer Luke Mombrea on Berlin techno, microtonality, body horror, and balancing a career in concert and film music

Contemporary music group discuss their debut album, performing music at raves, TikTok, online spaces, and curating an experience

London-born composer Marisse Cato on identity, installations, Julius Eastman, and the “ontology of Blackness”

Nonclassical Artists in Residence Nneka Cummins and Beatrice Ferreira on approaches to voice, improvisation, pseudonyms, and big-picture strategies

British composer Joanna Ward on graphic notation, field recordings, “bean” pieces, composing for friends, and financial inequality in classical music

London-based composer Blasio Kavuma on Afro-diasporic traditions, cyclical time frameworks, signifying, and cultural associations

Pianist and technologist Zubin Kanga discusses composer-performer collaborations, new technologies, brain sensors, and building shared knowledge

American composer Lily Koslow on noise, energetic forms, political agitation, Marxism, and creating alternate universes

Infinite Opera discuss their upcoming performance at London’s Signature Brew, mythologising beer, egalitarian collaboration, and performing in unconventional spaces

Nonclassical founder Gabriel Prokofiev on curating classical club nights, audience engagement, remix culture, and London’s alternative classical scene

Manchester-based composer Zakiya Leeming on collaborating with scientists, AI in composition, centring human stories, and “thinking through music”

Contemporary music trio Terra Invisus’ debut album ‘Visions’, created in close collaboration with composers, explores improvisation and open notation

Dutch multimedia composer Celia Swart on illustration software, resonant doors, Dutch architecture, and self-exploration

London-based contemporary ensemble standard issue on togetherness, interactive composition, and transcending performance boundaries

Hong Kong-based composer and songwriter Esther Wu on installations, societal intimacy, stage presence, and Jean-Paul Sartre