Composer William Gardner on musical uncanniness, microtonality, metamodernism, and composing political opera
beyond genre
beyond genre

Composer William Gardner on musical uncanniness, microtonality, metamodernism, and composing political opera

British composer and curator Alex Groves on sculptures, hyperpop, artist-led curation, and embracing change

London-based French composer Rebecca Galian Castello on working with noise, distortion techniques, folk traditions, and DIY ethics

Infinite Opera discuss their upcoming performance at London’s Signature Brew, mythologising beer, egalitarian collaboration, and performing in unconventional spaces

Iranian-American composer Darius Paymai on handwritten scores, cycles and stasis, Howard Skempton, and the “right material”

Librettist Hannah Hayden discusses her upcoming opera, fairy tales, stoner comedy, the “action” of libretto, and her transition from songwriting to libretto

Nonclassical founder Gabriel Prokofiev on curating classical club nights, audience engagement, remix culture, and London’s alternative classical scene

Leeds-based composer and improviser Mia Windsor on spectralism, pipe organs, experimental music spaces, and embracing glitches

Manchester-based composer Zakiya Leeming on collaborating with scientists, AI in composition, centring human stories, and “thinking through music”

Contemporary music trio Terra Invisus’ debut album ‘Visions’, created in close collaboration with composers, explores improvisation and open notation

Welsh composer Sam Buttler on mythology, fairies, Pierrot Lunaire, country music, and not taking yourself too seriously

London-based contemporary ensemble standard issue on togetherness, interactive composition, and transcending performance boundaries

UK-based Cypriot composer Crystalla Serghiou on “popera”, pastiche, Stepford wives, and staying authentic

National Youth Choir’s cohort of Young Composers speak about their album, Gen Z, modern madrigals, the physicality of choirs, and community

Birmingham-born composer Jamie Elless on graphic scores, alternate notations, queer liberation, and “honest music”

Composer and performance artist Phoebe Apfel’s debut EP explores disparate sampling, mental health, and writing for vocaloid software

British composer Lara Agar on indeterminacy, sonic warping, channeling imperfection, and the closure of IKLECTIK

British composer and electronic artist Sasha Scott on remixing, overwhelming feelings, and creating “rockstar moments”

British composer Laurence Osborn on cultural memory, mechanisms and automation, parenthood, and C.P.E. Bach

Greek composer and pianist Athanasia Kontou on Antigone, emotional vulnerability, and autoethnographic composition