"For organic materials such as shells or leaves, the DNA within these objects can be traced back over multiple millennia and further. To interact with these objects in a musical context is to juxtapose the limited nature of human time with that of the environment."
“Every composer has listened to, and listens to, lots of music that isn’t contemporary classical music, or classical music. We can try and make this division within ourselves between the music we listen to outside of our work and the music we compose. [But] for me, something that has brought a lot of life into my score-based music is trying to dissolve that barrier as much as possible.”
“That’s what it feels like when I’m working with electronics — I feel like I’m creating a moment, a live moment for someone to listen to.”