LA-based composer Jack Herscowitz on rational intonation, subjectivities and ownership, and “anti-innovation”

beyond genre
beyond genre
LA-based composer Jack Herscowitz on rational intonation, subjectivities and ownership, and “anti-innovation”
Boston/NYC-based composer Victoria Cheah on sine tones, repetition, intimacy, and body language in music
Composer Kian Ravaei on heritage, tradition, and creating musical mosaics channeling Bach chorales, Iranian classical music, and EDM production
Composer and guitarist James M. Creed on indeterminacy, études, clowning, James Tenney, and Alvin Lucier
Composer and performer Anthony R. Green on Stockhausen, social justice, boundaries of composition and performance, and promoting Black artists
LA-based composer Jeremy Rosenstock on sonority of abalone shells, postmodernism, and duration as the language of nature
Hungarian-American composer Ábel M.G.E. on farcical opera, musical quotation, cosmic nihilism, and the blending of genre
Cuban-American composer Darlene Zarabozo on dramatism, double meanings, the physicality of electronics, and dealing with trauma