London-based composer and guitarist Omri Kochavi on community gardens, jazz guitar, ancient text, and intuitive decision-making
beyond genre
beyond genre

London-based composer and guitarist Omri Kochavi on community gardens, jazz guitar, ancient text, and intuitive decision-making

Interdisciplinary composer Samuel D Loveless on referentiality, notation, accessibility, and daily life as art practice

Slovak composer Tímea Urban on performing together, creative crises, and empathetic approaches to composition

London-based Sri Lankan multimedia performance artist Ushara Dilrukshan on coding, organs, cultural identity, and womanhood

Berlin-based ensemble Kollektiv UNRUHE on collective composition, improvisation, arts funding, and finding common languages

Composer and performer Reuben Esterhuizen on movement, togetherness, ceramic artists, shedding the idea, and radical music-making

Leeds-born multimedia artist Jim Osman on opera directing, dub, speculative fiction, digital folklore, and gothic futurism

Manchester-based composer Gloria Xia on narrative, ritual, accessibility, and autobiographical experiences in composition

Amsterdam-based composer Boris Bezemer on cinematic surround sound, player pianos, building a practice, and composition as performance

Turkish-British composer Elif Karlıdağ on mass hysteria, 80s video games, absurdism, and working with graphic notation

UK-based composer Ryan Morgan on immediacy, transparency, passive resistance, and leading with compassion

Eternal series director Sasha Elina writes on curation as a creative practice

British composer Hugo Bell on heartbeats as musical time, DMX lighting, learning new skills, reworking pieces, and being “wired differently”

Experimental composer-performers Bastard Assignments prepare for two music theatre commissions exploring family, Dorset farmers, and haunted houses

California-born composer Luke Mombrea on Berlin techno, microtonality, body horror, and balancing a career in concert and film music

Contemporary music group discuss their debut album, performing music at raves, TikTok, online spaces, and curating an experience

London-born composer Marisse Cato on identity, installations, Julius Eastman, and the “ontology of Blackness”

Nonclassical Artists in Residence Nneka Cummins and Beatrice Ferreira on approaches to voice, improvisation, pseudonyms, and big-picture strategies

British composer Joanna Ward on graphic notation, field recordings, “bean” pieces, composing for friends, and financial inequality in classical music

London-based composer Blasio Kavuma on Afro-diasporic traditions, cyclical time frameworks, signifying, and cultural associations